Next, use the Import Audio command (Command/Windows+F1) to bring in all the songs you’re mastering. If the project has a lot of songs, you might have to use the Narrow View to see them all. Drag the right Sidebar Divider to the left to extend its horizontal size so that you can see all your tracks in the Mixing Board. Open the Left Sidebar (Shift+) and show the Mixing Board. To configure it, split the Main Body of the Consolidated Window into two sections: The Sequence Editor on top and the Meter Bridge on the bottom.
The opening screenshot (above) shows a window configuration you can use throughout the mastering process without the need to do any switching.
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(If you’re only mastering one song, you can skip the Master Fader and do all your processing from one track.) Watching Windows Make enough duplicates (Option/Alt+ Control+D) of that track so that you have one for each song in the project.Īdd a Master Fader track which you’ll use for any global processing. Next, create a stereo track (Command/Windows+Shift+S) and insert DP’s MW EQ, MW Compressor and Spatial Maximizer on it, but bypass them. To get started, open a new session in DP at the same bit depth and sampling rate as your masters. If you’re only mastering a single song, most of the same concepts apply, but you can simplify the setup where appropriate. This article will focus on setting up a multi‑song mastering project.
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We show you how to set up a multi-song mastering project.ĭigital Performer offers a robust environment for composing, scoring, tracking and mixing, but it’s also excellent for mastering. This window configuration is a convenient workspace for mastering.
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